Ten Years in One Night

How did I get here? I got home last night in a drunken haze from whatever party came after the party I actually got invited to. At least I thought I was home, but this bed feels strange, hard and lumpy like old oatmeal, and my eyes are slow to open. When they finally do I can see a ceiling fan blurry above my head. It’s whirling around so fast I wouldn’t be able to make out the individual blades even if my vision were normal.

My back hurts, too. Not a shooting ache but a dull one that usually comes from having slept on it wrong for too long. When I passed out I must have landed awkwardly on this strange bed, or perhaps it’s a futon. I slowly sit up in bed and force my eyes open more than just the slits they were. I stretch my arms above my head and notice they seem to have lost some definition. Instead of my firm biceps I see some give to them, as if gravity is fighting to drag them down, and is doing a good job of getting it done. It doesn’t compute.

The old, threadbare slippers I’ve had for years that don’t fit me anymore are gone from the foot of the bed, not that I thought they’d be there anyway, but I have to find out where I am. And suddenly I hear a noise behind my back, like a muffled thump, and I turn to see what’s over there. To my shock the thump I heard is identified as a small, mousy woman with stringy brown hair who is on the floor on the other side of the bed. I find my glasses on the side table and slip them on. When did I start wearing glasses?

Everything comes into focus then — the woman, who has obviously just been woken up by her fall from the bed, the ceiling fan above my head, and the sounds of running feet in the hallway outside of the closed door.

“What the…” says the woman in a gruff voice, obviously startled by the fall.

“Who are you?” I respond, still out of it myself.

She looks at me as if I’ve grown a second head.

“Don’t get started this morning, Murray, not until I’ve had my cup of coffee,” she says, dragging herself up from the floor. I notice she is naked, and I quickly look away, first because I don’t know her, and second because she is older. Quite a bit. By at least ten years. And those ten years have not been kind. Continue reading “Ten Years in One Night”

Where I Create

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“My one saving grace as a writer is that, if I’m having trouble with the novel I’m writing, I write something else, a poem or a short story. I try to avoid writer’s block by always writing something.” ~Jess Walter

That’s me in a nutshell. When someone asks me, “What are you writing?” I can honestly tell them something new every day, at least these days, because while I have two novels that are pretty far along, I am also writing so much else. I take the craft of writing seriously, meaning that I spend as much energy on a one sentence character profile as I do on what I hope is the end to the great American novel I’m currently working on.

And I’ve never had writer’s block (knock on wood).

But where do I do all of this writing? On my computer I’ve christened the “Black Lab,” after one of my favorite bands. I’m often listening to them while I write so it’s also fitting that it is labeled as such. Someone asked me the other day why my handwriting is so atrocious, and I’ll admit that my handwriting wasn’t ever a gem, but I just don’t do enough straight “writing” anymore to keep up any pretense of being able to put pen to paper. And yes, I’m old school about a lot of things, but when it comes to writing, whatever works is my mantra.

So I type everything, and I back up everything (usually multiple ways and in multiple locations). I learned the hard way that sometimes words get lost in the ether when there aren’t enough failsafes, so I have several flash drives, and several external hard drives, and a lovely space in something called a cloud where I store and re-store my writings. I even built my own laptop using the Dell site to maximize hard drive space on the unit itself. Yeah, I’m taking no chances this time. Continue reading “Where I Create”